Atelophobia
Atelophobia- 6"x3" (varies)- yarn, roving, vinyl, plastic.
Atelophobia- "fear of being imperfect or never being good enough"
This textile work challenges the notion that art must always present a flawless appearance within the gallery setting. Drawing inspiration from atelophobia—the fear of imperfection—and the persistent influence of imposter syndrome, the piece intentionally avoids polish and precision. Frayed edges, uneven stitches, and visible seams are deliberately left unrefined, becoming an integral part of the work's expressive language.
What might typically be interpreted as errors are instead emphasized, inviting viewers to reflect on the value of imperfection in a context often characterized by refinement. By openly embracing imperfection, the work questions not only the standards imposed on artistic creation but also the internal pressures artists face. In accepting the unstable and incomplete, it suggests that true beauty lies not in striving for perfection or suppressing anxiety, but in embracing these elements as a genuine expression within the fabric of the work.
Atelophobia- "fear of being imperfect or never being good enough"
This textile work challenges the notion that art must always present a flawless appearance within the gallery setting. Drawing inspiration from atelophobia—the fear of imperfection—and the persistent influence of imposter syndrome, the piece intentionally avoids polish and precision. Frayed edges, uneven stitches, and visible seams are deliberately left unrefined, becoming an integral part of the work's expressive language.
What might typically be interpreted as errors are instead emphasized, inviting viewers to reflect on the value of imperfection in a context often characterized by refinement. By openly embracing imperfection, the work questions not only the standards imposed on artistic creation but also the internal pressures artists face. In accepting the unstable and incomplete, it suggests that true beauty lies not in striving for perfection or suppressing anxiety, but in embracing these elements as a genuine expression within the fabric of the work.
